
ARTIST
URBAN
4d_kaze 's work unfolds across canvases and wood, with acrylic strokes applied using brushes, markers, and occasionally spray paint. His palette—dominated by magenta and purple tones—imprints a vibrant pulse that reflects the urban energy from which he comes and the emotional depth that permeates his work.
From his beginnings in graffiti at the age of twelve, his visual language has evolved from the closed code of letters to figures that allow for a more immediate connection with the viewer. His work keeps alive the street roots that gave it birth, but expands into a more open art, where the everyday, the symbolic, and the popular intertwine.
Among his most prominent symbols is the skull, a figure that, for 4d_kaze, holds a unique power: in Mexican culture, death is not an end, but a transition, a celebration. Far from being a source of fear, it is embraced as part of life. In his works, this symbol, stripped of skin and features, functions as a mirror: it makes us equal, it makes us essence, it reminds us that beneath every form persists the same shared structure—human, animal, universal.
Inspired by pop art, comics, Mayan and Mexica culture, politics, advertising, documentaries, and nature, his imagination is broad and permeable. He also draws inspiration from artists who blend urban art with contemporary styles, such as some urban artists from the United States, and from Dutch graffiti artists of the 80s and 90s who shaped his adolescence.
Beyond the individual gesture, her work seeks to create spaces of resonance for others. She wants each piece to inhabit people's lives, to become integrated into their daily routines, and for those who observe it to find their own story within it—an interpretation that needs no explanation, only connection.
4d_Kaze, Amsterdam, Netherlands. (2026)

Miami, USA. 4d_Kaze and Atomic. (2023)
In the early '90s, I started developing my own alias. My first alias/name was given to me by a veteran writer in my area, and he could certainly be considered a "king." The name he gave me was "Case," which I quickly changed to "casé" (pronounced kasee), because there was already a Case2 in New York. The '90s were mostly about tagging, and more tagging for me.
Exhibitions
• August 2023 – M86 Artistic Residency, MUJAM Gallery, CDMX.
• September 2023 – Exhibition at Galeria ExFabrica, CDMX.
• February 2024 – M86 Artistic Residency, MUJAM Gallery, CDMX.
• April 2026 – Urban art intervention exhibition, Museum of Modern Art of Metepec, State of Mexico.
Selected public works
February 2026 – Van con Nychos, Iztacalco, CDMX (Mexico).
December 2025 – Commissioned mural, State of Mexico (Mexico).
December 2025 – Urban intervention, Chorillo, Panama City (Panama)
November 2025 – Urban Intervention, NDSM, Amsterdam (Netherlands)
October 2025 – Urban Intervention, Hall of Fame, Maasland (Netherlands)
October 2025 – Urban Intervention , Centenario Caballito Park, Panama City (Panama)
August 2025 – Urban Intervention , Chorillo, Panama City (Panama)
August 2025 – Commissioned Mural, New England (USA)
June 2025 – Urban Intervention , Ex Fabrica, CDMX (Mexico)
The skull in my work functions both as a symbol and a structure. In Mexican culture, it embodies a paradox: celebration and mourning, memory and transformation. I am drawn to its reduction: once stripped of its surface, what remains is the essential form.
By repeating and reinterpreting this image in the urban space, I seek to dissolve markers of identity and return the viewer to something shared and fundamental. The skull makes no distinction between human beings, the self, religion, nationalities, or anything else. It is the architecture that underlies difference.
In public settings, this symbol takes on a sense of urgency. The street becomes a space for collective reflection, where mortality and equality coexist in everyday life.


Panama City, Panama. 2022